This book costs the same amount as a plate of scrambled tofu and cortado at Boojee cafe. The experience was also pretty similar. Tepid, slightly wannabe, a little infuriating with so many different things trying to play together – and then just as you’ve wearily accepted that this is as good as it gets and your money may have been better spent elsewhere – it happens. A perfect forkful of creamy tofu, sauteed microgreens, some candied walnuts, and a sliver of the toast.
It’s like that with July’s work as well.
Of the 16 short stories, so many I found were clumsily stuffed
with pointless sexual descriptions, clumsy surrealism, and exasperatingly
clueless characters. And then – a story comes by that is a wholesome emotional
postcard of a woman clinging to loneliness, not dealing with it. Or a twist in a
plot that makes it clear how brutal friends and friendships can be. Or even
this - a turn of phrase like ‘Inelegantly, and without my consent, time
passed.’ or ‘Some people need a red carpet rolled out in front of them in order
to walk forward into friendship. They can't see the tiny outstretched hands all
around them, everywhere, like leaves on trees.” Or my favorite: ‘“I laughed and
said, Life is easy. What I meant was, Life is easy with you here, and when you
leave, it will be hard again.”
That’s when this compendium of tedium sparkles. The way
kindness does.
The stories themselves are whimsical.
One of them features a woman who teaches swimming on her
kitchen floor. Another has an ordinary woman with a fixation on Prince William.
The first one has a woman sharing her patio with her neighbors. One day her
neighbor has an epileptic fit but she dozes off in the middle of that. The last
story (How to Tell Stories to Children) is my favorite. It is about a
woman who unwittingly becomes a kind of a godmother to her ex-boyfriend’s
child. Then the child grows up and, in the way, grown-up kids do, crushes her
heart. It is tender and reminded me of a line in the show ‘Wonder Years’: “We
don’t blame ourselves for getting older. We forgive ourselves for growing up.”
Only with the last story does Miranda July become a flesh
and blood person for me – only someone deeply flawed can feel deeply as well.
Otherwise, it’s just not possible.

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