I went for a late night movie. Just to set the context - PVR refuses to switch on lights before the movie begins so you have to scramble around with your phone for light. There was a cockroach roaming on the counter, and the 800 bucks nachos were stale and drivel. It was swarming with people for Jurassic World - Rebirth. And just all of this would ordinarily have adversely impacted my impression of a film. But it was an Aamir Khan film. I don't like the actor too much. But his movies do soften the edges of a brittle experience quite a bit.
I don't know why I never really liked Aamir. I must have eight or nine when I saw the huge hoarding of a boy in a leather jacket with his back to the public. He looked like he was playing the guitar. You couldn't see his face. It was the first poster of Qayamat se Qayamat Tak. It was one of the first posters on Carter Road and one of my friends in school told me that it was her brother's friend - someone who was very good at chess and had won a few series at both Khar and Bandra gymkhana. I was hooked onto the word 'Qayamat'. I didn't know what that meant. When the movie released and my mum took me and my friends to Gaiety Galaxy to watch the movie, I was besotted with the songs - and Juhi Chawla. I didn't get the deal about this guy. He was sweet I suppose and the ending was beautiful. The last scene of Aamir kissing Juhi before he lays down to die next to her against the setting sun (just like the way they had met - she had seen his silhouette against a setting sun in the beginning) - I still get goosebumps when I think of that scene.
Anyway, he became a huge deal after that. He was a Bandra boy, stayed up Pali Hill - so all my friends would keep his notebooks, etc. etc. I also found him insufferable in Dil and Mann. In Andaaz Apna Apna, I preferred Salman. He bored me in Mela and all those films. But I liked him in some movies of his that didn't do too well - Raat, Talaash (my favorite performance of his - outranking that parakeet performance in Rang De Basanti and Three Idiots), and Akele Hum Akele Tum. I liked him in Dangal too but Talaash is where I felt he understood something about the inheritance of loss...I had liked Lagaan in all the parts that he wasn't there (and to his credit - that was quite something - he really was one of the villagers. That poster of Lagaan where he is not front and centre was quite a big departure from the types of posters we used to see at the time). But something about the way he was with children, about losing a son, about losing a childhood - somehow those are the pieces that rung true for me.
And I hadn't seen a movie in the cinema halls for a long time, so I went for Sitaare Zameen Par - and I am so, so glad I did. It is so sweet and innocent. It is not as big or deep as one might want it to be - a little too pat in places, but the kids he is working with - they are so fresh and innocent. I liked Genelia a lot here. She is not cutesy. There's a sombre gravitas to her that has come with age that really suits her.
But there's a scene in the film where Aamir's team plays a match and something happens at the end of the match. He is defeated but he looks around and sees his team celebrating. There's a look in his weary, jaded eyes (of a mature man who is clearly past his youth, irrespective of how his hair may be colored), and you can see his awe at witnessing a simple person's largesse of heart. The sun is streaming through the slats in the gym, his team has crowded near him - he is part of it yet not part of it...and his wonder...of just how lucky he is to have them. His eyes crinkle and he smiles.
And maybe for the first time ever - I saw what the charm was all about.
A Fezzluqa moment.