My cousin, who was born sixteen hours before me, got married recently. I am expected to follow her footsteps soon. Thankfully, I have been granted more than sixteen hours to do that. My father’s health has taken a turn for the worse. My mother is completely exhausted. Rationally, points 1, 2, and 3 would be distinct from each other. But in my family there is no such thing as ‘rationally’. Therefore all these points are inter-related. Strangely, here, we believe my marriage to be an antidote to mortality and fatigue. I happened to be sitting in my parents’ room while Ma looked through Papa’s blood reports. They didn’t look good. Ma was worried and Papa didn’t help matters much. He kept talking about Sourav Ganguly and why he deserved better. Ma got further agitated and after flinging the reports somewhere inconvenient to retrieve (I should know), she snapped, “So what? There are many like him.” Papa doesn’t believe that and would have no one in his family believe that either. He went to
I watched ‘Rang de basanti’. That, however, is not the point. Everyone now wants to go to Delhi and cruise around in jeeps at night. And that too is not the point. I need to say something. That, really, is the point. ‘Rang de…’ is a good movie but frankly, I’ve seen better. I’ve seen ‘Yuva’. It is creditable, though, that the movie could say what it did without using the ‘sage on the stage’ (as we say in Instructional Design) approach. The movie does have a couple of ideas that I have been besotted with for a long time now. One is the life of a story. There is the germ of an idea about men who go to their deaths cheerfully. There is fascination about what could inspire such courage in ordinary people. That story lays inside a diary for a long time. How long? Long enough for history to play itself out and begin the process of repeating itself. A nation goes the ‘Animal Farm’ way – humans out, pigs in. The story lays untouched – fermenting in latent vigor. Then someone discovers it. She
I love courtroom dramas. I love non-linear storytelling. I love thrillers. I love tender love stories that embellish such series of grit, grime, and blood. This series delivers on all counts, dips somewhat after a couple of seasons, gets uneven and predictable (when it is less courtroom and more drama) and then finishes strong. The series centers around Annalise Keating who is a fierce, black criminal lawyer who also teaches a class in criminal law (which she calls 'How to Get Away with Murder'). As a teaching methodology, she gets her class to weigh in on her live cases. Part of her strategy also involves picking a handful of promising students and have them work in her 'lab' where they get to help her in strenuous arguments and civil suits, etc. The plot thickens, a murder happens, people get involved, incriminated, incarcerated, and dead. I found a couple of characters in this cast to be really unlikeable - Michaela, Laurel, and Bonnie. After the first couple of se
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